You can download it for free here, to give this all a try for yourself.
Improved importing of Dip to Color dissolves from AAFs from Media Composer. Improved importing of Flip and Flop from AAFs from Media Composer. Improved performance when encoding to MXF XAVC. Updated ACES support from ACES 1.0.0 to ACES 1.0.2. Added support for ACEScct color science. Added support for PostgreSQL 9.5.2 on macOS. 
Added support for Final Cut Pro X XML Version 1.6. Just to keep you up to date, the 12.5.3 update included these useful improvements and bug fixes: Added support for image orientation flag in DPX files. Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES. Added new sliders to control Dolby Vision analysis data. Added support for Grass Valley HQ and HQX codecs on Mac, Windows and Linux. Added support for preserving super-white and sub-black data with ProRes 4444 codecs. Added support for decoding MP3 files on Windows. Added support for the MacBook Pro Touch Bar. UPDATE – DaVinci Resolve 12.5.4 New Featuresīecause their development team don’t seem to need to stop for food or sleep (it’s only been 48 days since 12.5.3!), they’ve just updated Resolve to 12.5.4 with the following new features: 
My most recent post on Resolve focused on tutorials and training to help you learn how to edit in Resolve, this post however, is packed with colour grading tutorials for colorists working in DaVinci Resolve.
Troubleshooting Common Problems in ResolveĬolour grading is what DaVinci Resolve is famous for, and for being free, but it’s also come along way as an NLE.Colour Grading Tips from Professional Colorists.Colour Grading Tutorials in DaVinci Resolve
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